![]() It had a powerful impact but was also somewhat audacious, featuring a fast conclusion that was considered quite groundbreaking at the time. ![]() The fade-out included a new section of the song, which was almost like inventing an entirely new piece specifically for the ending. They took one of the lines, ‘My baby don’t care,’ but completely modified the melody. In his recollection in Many Years From Now, McCartney explains that the intriguing aspect was the unconventional ending: instead of concluding like the previous verses, they changed the tempo. However, what McCartney considered the song’s greatest strength was its iconic double-time coda. Apart from Starr’s unique drumming and the somewhat melancholic lyrics, the song was notably heavier than anything The Beatles or any other artist had put out before. When “Ticket to Ride” was released, it was acclaimed as a departure from The Beatles’ previous work. He emphasized that their songwriting process involved a dedicated three-hour session where they worked on every aspect, including the lyrics, harmonies, and finer details. While acknowledging that Lennon sang the song, McCartney felt that he should be attributed around 60% of the credit. McCartney explained that they often developed these aspects while writing the song together. According to him, both he and Lennon contributed to the melody, as evident in the recording where Lennon took the lead while McCartney provided harmonies. In his 1994 autobiography, McCartney expressed his belief that the song was a collaborative endeavor. McCartney’s Perspective on Collaborative Songwriting He acknowledged McCartney’s role in shaping the song through Ringo Starr’s drumming style. In one of his interviews, Lennon asserted that he was primarily responsible for the song, considering it to be one of the earliest examples of heavy metal music. The songwriting credits are attributed to John Lennon and Paul McCartney, although there has been an ongoing debate about the true extent of their individual contributions. The group performed the song while situated on an Austrian ski slope. It was not only the opening track of their album Help!, but also the first song released from the accompanying movie of the same name. It was quite radical at the time.“Ticket To Ride” marked a significant milestone for The Beatles as their first song exceeded three minutes in length. We almost invented the idea of a new bit of a song on the fade-out with this song it was something specially written for the fade-out, which was very effective but it was quite cheeky and we did a fast ending. ![]() We picked up one of the lines, ‘My baby don’t care’, but completely altered the melody. “I think the interesting thing was a crazy ending: instead of ending like the previous verse, we changed the tempo. It’s a heavy record and the drums are heavy too. If you give me the A track and I remix it, I’ll show you what it is really, but you can hear it there. You hear it now and it doesn’t sound too bad but it’d make me cringe. It was pretty fucking heavy for then, if you go and look in the charts for what other music people were making. “Ticket To Ride was slightly a new sound at the time. It was pretty much a work job that turned out quite well…John just didn’t take the time to explain that we sat down together and worked on that song for a full three-hour songwriting session, and at the end of it all we had all the words, we had the harmonies, and we had all the little bits.” – Paul McCartney Because John sang it, you might have to give him 60 per cent of it. We’d often work those out as we wrote them. “We wrote the melody together you can hear on the record, John’s taking the melody and I’m singing harmony with it. Paul’s contribution was the way Ringo played the drums.” – John Lennon “That was one of the earliest heavy-metal records made. It was later revealed by journalist Don Short, a friend of the band, that John had coined the phrase “ticket to ride” during the band’s 1962 Hamburg trip in reference to one who was billed medically fit to ride the trains. Noted by John as “one of the earliest heavy metal records ever made”, Ticket To Ride indeed featured a driving riff and heavy beat and was influenced by the Kinks’ You Really Got Me.
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